VIII: 10 Years Occupy Wall Street (Judith Butler, Max Haiven & Florian Malzacher)

About ten years ago the series of square occupations all over the world begun – after Tunis, Cairo, Athens, Madrid the wave swept over to New York. Mid-September 2011 the fist protest begun in the midst of Lower Manhattan’s bank towers: Occupy Wall Street became a symbol of resistance against financial capitalism and big corporations. And it’s assemblies set examples for a different way of discussing and decision making that influences activists all over the word but also resonated in theatre and art. On the occasion of the 10th anniversary of the occupation of Zucchotti Square the 8th edition of The Art of Assembly takes a close look at its legacy: Philosopher Judith Butler, author of the probably most influential book on assemblies in recent years, asks how – in the light of recent pandemic experiences – an ethics of care can enter into our politics of assembly. Writer and activist Max Haiven summons the ghosts of Occupy and looks – in the the spirit of the late anthropologist and OWS key figure David Graeber – back at a haunted decade.

VII: Agonistic Gatherings (Didier Eribon, Chantal Mouffe & Florian Malzacher)

The assemblies of the numerous square occupations during the last decade have often been laboratories of radical forms of democracy, experimenting with non-hierarchical structures and consensus models instead of majority voting. While watching these movements with sympathy, political theorist Chantal Mouffe emphasises also the necessity of dissensus, of an agonistic pluralism in which adversaries openly fight for their hegemonic projects. Philosopher and sociologist Didier Eribon reflects on the conditions and the limits of such mobilisations and insists on the unsurpassable plurality of movements like the gilets jaunes in France, or more recently, the massive strikes and protests against the demolition of the public sector, as well as the demonstrations against racism etc. In the 7th edition of “The Art of Assembly” Eribon and Mouffe discuss how much agonism social movements can bare and how the diversity of democratic demands should be addressed.

DIDIER ERIBON ° How and When Can We Say “We”? A Few Remarks on Social Protest and Political Dissent

Didier Eribon is a French sociologist and philosopher. He was professor of sociology in Amiens and visiting professor at the University of California, Berkeley, at the Institute for Advanced Study in Princeton, at the universities of Harvard and Yale, at New York University (NYU) and at Columbia University. His socio-autobiography Return to Reims (2009) in which he reveals the break-up of French society attracted international attention. His work Insult and theMaking of the Gay Self (1999) has become a classic and a founding document of Queer Studies. Among his most recent publications are La société comme verdict(2013) and Principes d’une pensée critique (2016).

JUDITH BUTLER ° Where are We Now? Assembly, Care, and Connection

presumed access to shared space.  And yet, there have been ways to occupy public space that accept the safety protocols for Covid-19.  How then do we think about “safety” in relation to assembly? We speak about the right of peaceable assembly, but do we speak as often about safe conditions for assembly?  The idea of safety brings up ambivalent viewpoints, and it became a key topic of debate for the Occupy movement and for the uprisings of the Arab Spring. “To play it safe” means not taking risks, not asking for too much, so what role, if any, does danger now play? If we think that heroic forms of risking our lives is part of a political struggle, what happens when the risk that I take is immediately a risk to you as well?  Where does an ethics of care enter into our politics of assembly?

CHANTAL MOUFFE ° Towards an Agonistic Conception of Assembly

Paris. She is the editor of Gramsci and Marxist Theory (1979), Dimensions of Radical Democracy. Pluralism, Citizenship, Community (1992), Deconstruction and Pragmatism (1996) and The Challenge of Carl Schmitt (1999). She is the author of Hegemony and Socialist Strategy. Towards a Radical Democratic Politics (with Ernesto Laclau, 1985), The Return of the Political (1993), The Democratic Paradox (2000), On the Political (2005), Agonistics. Thinking the World Politically (2013), Podemos. In the Name of the People (with Inigo Errejon, 2016), and For a Left Populism (2019).

© CHRIS PAYNE

VI: Assembling More Than Humans (Radha D‘Souza & Sibylle Peters & Florian Malzacher)

Discussions about representation in assemblies, democracies and legal cases are usually reserved to human beings. But recent discussions around the Anthropocene and new materialism have fiercely challenged such anthropocentric limitations. Professor for Law Radha D’Souza argues that the concept of rights is fundamentally flawed as it is always associated with private property, contracts, and contractual social relations. Drawing on insights from indigenous cultures and everyday practices, she points out the centrality of assembly for collective life among animals and humans. Performance maker and theorist Sibylle Peters deals in her practice as theorist and theatre maker since many years with concepts of assembling – recently also trying to create zones of companionship in which humans and other co-species can come together without food chains or zoo cages getting in-between.

© CHRIS PAYNE

SIBYLLE PETERS ° Reassembling Humanz & Other Animals

In 2019 Sibylle Peters devised a project called Animals of Manchester (including humanz) for which she tried to install a zone of interspecies equality in a park. Live artists, animal rights activists, researchers, kids and a number of species present in Manchester worked together to imagine and rehearse an alternative version of the city: How would it look like, if all species – including humanz – had the same rights? 

Die Vielen

V: Versammlung der Vielen (Eduard Freudmann, Gin Müller, Heidrun Primas, Philine Rinnert & Florian Malzacher) in German language

“Die Vielen“ sind ein solidarischer Zusammenschluss zahlreicher Kunst- und Kultureinrichtungen in Österreich und Deutschland. Diese Sonderausgabe wirft einen Blick auf verschiedene künstlerisch-aktivistische Aktionen im öffentlichen Raum Österreichs: Heidrun Primas, Leiterin des Grazer Forum Stadtpark, ist Mitinitiatorin der “Camps für Moria”; die Künstler Eduard Freudmann und Gin Müller protestieren mit der “Schandwache” gegen ein Denkmal des antisemitischen Wiener Bürgermeisters Karl Lueger; die Bühnenbildnerin Philine Rinnert ist eine zentrale Protagonistin „Der Vielen” in Deutschland.

© Radha D'Souza

RADHA D’SOUZA ° Crows, Covid and Reflections on Assembling

Drawing on insights from indigenous cultures and everyday practices, D’Souza’s talk focuses on the centrality of assembly for collective life among animals and humans. Capitalist modernity introduces a rupture between natures, peoples and places by transforming nature into property, people into ‘labour force’ and place into territory. The concept of rights in liberal theory and practice plays a critical role in transforming a natural relationship into a legal one founded on property and contract. The challenge is to go beyond “othering”