© CHRIS PAYNE

SIBYLLE PETERS ° Reassembling Humanz & Other Animals

In 2019 Sibylle Peters devised a project called Animals of Manchester (including humanz) for which she tried to install a zone of interspecies equality in a park. Live artists, animal rights activists, researchers, kids and a number of species present in Manchester worked together to imagine and rehearse an alternative version of the city: How would it look like, if all species – including humanz – had the same rights? 

© Radha D'Souza

RADHA D’SOUZA ° Crows, Covid and Reflections on Assembling

Drawing on insights from indigenous cultures and everyday practices, D’Souza’s talk focuses on the centrality of assembly for collective life among animals and humans. Capitalist modernity introduces a rupture between natures, peoples and places by transforming nature into property, people into ‘labour force’ and place into territory. The concept of rights in liberal theory and practice plays a critical role in transforming a natural relationship into a legal one founded on property and contract. The challenge is to go beyond “othering”

The Chruch of Stop Shopping © Savitri D

IV: Choirs of Precarity & Power (Claudia Bosse, The Church of Stop Shopping, Alia Mossallam & Florian Malzacher)

Choirs are a very specific form of assembling – from representing “the people” in Greek tragedy via all kinds of religious choirs, political choirs, revolutionary choirs up to the legendary human mic at Occupy Wall Street and the iconic chants at Tahrir Square in 2011. Theatre director Claudia Bosse, art theorist Alia Mossallam, and the activists of The Church of Stop Shopping discuss the potential (and perhaps dangers), the tenderness, the precarity and the power of synchronised singing, chanting, shouting along concrete artistic and activistic practices in Cairo, New York and Vienna.

The Chruch of Stop Shopping © Savitri D

THE CHURCH OF STOP SHOPPING ° Singing Toward Assembly

Savitri D explores some of the intersections between Assembly and Song through her work as Director of the Stop Shopping Choir, using mostly casual video and audio recordings she relates the experience of song and singing to the formation of Assemblies and Movement Building.

Public Movement "Spring in Warsaw" (2009) © Tomasz Pastenak

I: Assembly as Preenactment (Oliver Marchart, Dana Yahalomi & Florian Malzacher)

„Preenactment“ is a term used by choreographer and artist Dana Yahalomi / Public Movement (Tel Aviv) as well as by political theorist Oliver Marchart (Wien) to describe the artistic anticipation of political events to come. So, how can political or artistic assemblies become rehearsals or trainings for an unpredictable future? Recorded on January 23rd 2021

Public Movement "Spring in Warsaw" (2009) © Tomasz Pastenak

DANA YAHALOMI ° Body Next to Body. The Practice of Being Together

To assemble is first and foremost a physical act of being present body next to body. Dana Yahalomi elaborates on the sociopolitical potential and the responsibility of the arts and artists to facilitate arenas where people can rehearse the corporal and behavioral knowledge assembly requires. Starting with the historic Operation Stockholm (1961), she unfolds a chronicle of choreographies from a civic perspective.