Die Vielen

V: Versammlung der Vielen (Eduard Freudmann, Gin Müller, Heidrun Primas, Philine Rinnert & Florian Malzacher) in German language

“Die Vielen“ sind ein solidarischer Zusammenschluss zahlreicher Kunst- und Kultureinrichtungen in Österreich und Deutschland. Diese Sonderausgabe wirft einen Blick auf verschiedene künstlerisch-aktivistische Aktionen im öffentlichen Raum Österreichs: Heidrun Primas, Leiterin des Grazer Forum Stadtpark, ist Mitinitiatorin der “Camps für Moria”; die Künstler Eduard Freudmann und Gin Müller protestieren mit der “Schandwache” gegen ein Denkmal des antisemitischen Wiener Bürgermeisters Karl Lueger; die Bühnenbildnerin Philine Rinnert ist eine zentrale Protagonistin „Der Vielen” in Deutschland.

Schandwache_1_c_Gin Müller

EDUARD FREUDMANN & GIN MÜLLER ° Schandwache – Vigil of Disgrace

The Schandwache (Vigil of Disgrace) took place in October 2020 at the monument to the former mayor of Vienna Karl Lueger. Lueger is considered one of the most pronounced anti-Semites of the 20th century. His memorial is disputed. The aim of the action was to protect graffiti from removal by the authorities. It that had been placed on the monument by unknown persons in the summer of 2020 to mark it as a “Schande (Disgrace)”. The “Schandwache” took place in cooperation with 16 civil society, cultural and political organisations in the week before the elections in Vienna. Before the opening, two of the “Schande” inscriptions were replicated as gold reliefs and applied to the monument. The installation was destroyed the same day by right-wing extremists. In the course of the following public debate, representatives of the Vienna city government spoke out in favour of a redesign of the monument.

Die Vielen

DIE VIELEN ° We Are Many

DIE VIELEN (THE MANY) organise national actions, demonstrations and various events that oppose hatred and promote coexistence with open borders – both internally and externally. Debates within the theatre and art scene are proving contentious. The association acts as an active network and provides platforms for networking.

The Chruch of Stop Shopping © Savitri D

IV: Choirs of Precarity & Power (Claudia Bosse, The Church of Stop Shopping, Alia Mossallam & Florian Malzacher)

Choirs are a very specific form of assembling – from representing “the people” in Greek tragedy via all kinds of religious choirs, political choirs, revolutionary choirs up to the legendary human mic at Occupy Wall Street and the iconic chants at Tahrir Square in 2011. Theatre director Claudia Bosse, art theorist Alia Mossallam, and the activists of The Church of Stop Shopping discuss the potential (and perhaps dangers), the tenderness, the precarity and the power of synchronised singing, chanting, shouting along concrete artistic and activistic practices in Cairo, New York and Vienna.

The Chruch of Stop Shopping © Savitri D

THE CHURCH OF STOP SHOPPING ° Singing Toward Assembly

Savitri D explores some of the intersections between Assembly and Song through her work as Director of the Stop Shopping Choir, using mostly casual video and audio recordings she relates the experience of song and singing to the formation of Assemblies and Movement Building.

Claudia Bosse "Die Perser" © Christian Bort

CLAUDIA BOSSE ° Assemble in Choirs

Choir is also a gathering of different interests that approach each other over a period of time, negotiating their differences, experiences and understandings.
Sharing, articulating. not always with words, but with actions in a physical articulation in space, space-grasping.
A connection to others, previously unfamiliar, is created.
Society and play at the same time.

"Artist Organisations International" (2015) © Lidia Rossner

FLORIAN MALZACHER ° Spheres of Pragmatic Utopias and Radical Imagination. The Art of Assembly

by a wide range of assemblies within the field that tried out and challenged social and political procedures with which societies can be imagined, played, performed, enacted, tested, or even invented