Podcast
Right-wing contemporary art is almost non-existent. It has to be invented, fabricated and cultivated. Core values inherent in contemporary art (such as critical thinking, self-questioning, pluralism, empathy, anti-imperialist thinking) do not fit the right-wing agenda. Joanna Warsza describes how the Law and Justice (PiS) government has taken over the most important critical art institutions and media in Poland during its two terms in office (2015-2023). It also significantly raised the cultural budget – but only for a culture that reinforced the myths of the past grandeur, the never-ending victimhood towards Russia and Germany while denying its own colonial and xenophobic mindset. But there always was also light in the darkness: hopeful examples of a mobilization of the art scene and ways out of the right-wing matrix, including the collective reclaiming of the Polish Pavilion at the 60th Venice Biennale featuring the Ukrainian Collective Open Group instead of an ill-patriotic painter.
Part of Episode XXVIII: “What Is to Be Done? Dealing with New-Right Culture Wars”
With Amelie Deuflhard, Oliver Frljić, Thomas Krüger, Joanna Warsza & Florian Malzacher
17. May 2024 – Haus der Berliner Festspiele, Berlin / Germany
A coproduction with Theatertreffen / Berliner Festspiele
Biography
Joanna Warsza is a curator, editor, art writer and educator, living in Berlin. She co-curated the Polish Pavilion at the 59th Venice Biennale in 2022, with the work of Małgorzata Mirga-Tas, the first Roma artist to be shown in any national pavilion. Between 2014-2024, Joanna has been program director of CuratorLab at Konstfack University of the Arts, Stockholm. She has curated numerous biennials, city projects, exhibitions, and conferences, such as the 7th Berlin Biennale (as associate curator) 2012, Georgian Pavilion at the 55. Venice Biennale, 2013, Public Art Munich 2018, and co-curated the 3rd and the 4th Autostrada Biennale in Prizren, Kosovo in 2021 and 2023. She collaborates regularly with fellow curator Övül Ö. Durmuşoğlu, since the project, Die Balkone, an exhibition in the windows and balconies of Prenzlauer Berg, 2020 and 2021. She is an editor of over 15 publications. In Spring 2024 she curated Radical Playgrounds at Berliner Festspiele/Gropius Bau.
Essays
Deutschlandfunk Kultur “Fazit” über The Art of Assembly XXVIII (n German):