The energy of body next to body. The excitement of the game. Winning, loosing, bursts of emotions. Shouting, singing, yelling, joy, and anger – sometimes on the verge of violence. Elite sport events bring together masses of people across nations, they are gathering with an immense personal importance for many and at the same time highly politicized billion-dollar businesses, streamlined for maximum profits on the borders of legality. This edition of The Art of Assembly takes place 50 years after the Olympic games in Munich, right in the middle of the legendary Olympiapark, envisioned as an open, democratic, and egalitarian space but immediately drawn into the abyss of world politics.
Artist and queer activist Z. Blace looks at how sport events could become owned by the community, counter-nationalist, counter-normative, gender-just and a sex-positive emancipatory experience. Caitlin Davis Fisher, a former professional athlete, works as movement researcher, artist and activist on gender, labor, the body, and community organizing in/with/through football. Expert in fan culture and social worker Michael Gabriel gives an insight into the cultural practices of the ULTRAS, claiming streets and stadiums with elaborated choreographies and the self-confidence of the masses.
In the frame of „Soft Democracies“, a project by raumlaborberlin as part of the 50th anniversary of the 1972 Munich Olympics, organized by the Cultural Department of the City of Munich
