inking about strategies that are challenging the archive, appropriating museum space, producing alternative knowledge and rethinking education, art educator and curator Nora Sternfeld asks: Can the museum become a space of assembly that allows us to deal with what has happened in the past, to negotiate what this means for the present, and to imagine a future that is more than the mere extension of the present?
In 2019 Sibylle Peters devised a project called Animals of Manchester (including humanz) for which she tried to install a zone of interspecies equality in a park. Live artists, animal rights activists, researchers, kids and a number of species present in Manchester worked together to imagine and rehearse an alternative version of the city: How would it look like, if all species – including humanz – had the same rights?
The Schandwache (Vigil of Disgrace) took place in October 2020 at the monument to the former mayor of Vienna Karl Lueger. Lueger is considered one of the most pronounced anti-Semites of the 20th century. His memorial is disputed. The aim of the action was to protect graffiti from removal by the authorities. It that had been placed on the monument by unknown persons in the summer of 2020 to mark it as a “Schande (Disgrace)”. The “Schandwache” took place in cooperation with 16 civil society, cultural and political organisations in the week before the elections in Vienna. Before the opening, two of the “Schande” inscriptions were replicated as gold reliefs and applied to the monument. The installation was destroyed the same day by right-wing extremists. In the course of the following public debate, representatives of the Vienna city government spoke out in favour of a redesign of the monument.
DIE VIELEN (THE MANY) organise national actions, demonstrations and various events that oppose hatred and promote coexistence with open borders – both internally and externally. Debates within the theatre and art scene are proving contentious. The association acts as an active network and provides platforms for networking.
Choir is also a gathering of different interests that approach each other over a period of time, negotiating their differences, experiences and understandings.
Sharing, articulating. not always with words, but with actions in a physical articulation in space, space-grasping.
A connection to others, previously unfamiliar, is created.
Society and play at the same time.
Assemblism describes the visual morphologies that emerge from the practice of “performative assembly “in popular mass movements, as termed by Athena Athanasiou and Judith Butler. But to canalize the energies and imaginaries that emerge in assemblies, durational infrastructures are needed to ensure egalitarian forms of social organization, as Jodi Dean has argued in Crowds and Party. What is the role of art in shaping and propagating new life-forms from the squares into a new emancipatory institutionality? This talk will explore the role of alternative parliaments, utopian training camps, experimental biospheres and collective action lawsuits in furthering assemblist imaginary into egalitarian presents and futures.
Do we assemble for a cause or for reasons? What is the nature of a political cause? What is it that brings us together? And why does a true political cause issue from the future? Provided there is a future after the end of futurity. The notion of pre-enactment may point to an answer.
by a wide range of assemblies within the field that tried out and challenged social and political procedures with which societies can be imagined, played, performed, enacted, tested, or even invented