Tag: Assembly

XVIII: Body Next to Body: Gathering Masses in Sport Events (with Z. Blace, Caitlin Davis Fisher & Michael Gabriel & Florian Malzacher)

Posted on by brut Koproduktionshaus Wien

The energy of body next to body. The excitement of the game. Winning, loosing, bursts of emotions. Shouting, singing, yelling, joy, and anger – sometimes on the verge of violence. Elite sport events bring together masses of people across nations, they are gathering with an immense personal importance for many and at the same time highly politicized billion-dollar businesses, streamlined for maximum profits on the borders of legality. This edition of The Art of Assembly takes place 50 years after the Olympic games in Munich, right in the middle of the legendary Olympiapark, envisioned as an open, democratic, and egalitarian space but immediately drawn into the abyss of world politics.
Artist and queer activist Z. Blace looks at how sport events could become owned by the community, counter-nationalist, counter-normative, gender-just and a sex-positive emancipatory experience. Caitlin Davis Fisher, a former professional athlete, works as movement researcher, artist and activist on gender, labor, the body, and community organizing in/with/through football. Expert in fan culture and social worker Michael Gabriel gives an insight into the cultural practices of the ULTRAS, claiming streets and stadiums with elaborated choreographies and the self-confidence of the masses. 
The event took place in the frame of “Soft Democracies”, a project by raumlaborberlin as part of the 50th anniversary of the 1972 Munich Olympics, organized by the Cultural Department of the City of Munich.  

Z. BLACE ° Queering Sport (Events)

Posted on by brut Koproduktionshaus Wien

QueerSport is an effort to understand, propose, prototype, intervene in the norms through queer expressions without defining it. Z. Blace informs and instigates some of these practices in different constellations ranging from grassroots organizing, embedded research, media campaigns, educational workshops, conceptual artworks and advocacy for Cultural Social Responsibility for Sport.

CAITLIN FISHER ° Post Play

Posted on by brut Koproduktionshaus Wien

Drawing on embodied experiences from the football pitch, Fisher uses movement, muscle memory, and narrative to discuss navigating a shifting terrain of femininity under the pressures of neoliberal growth. She uses somatic activism to question the enclosure of the market on the women’s game as felt on the flesh and its impact on movements and the connections between us. Powerful mechanisms of conformity take hold and gendered scripts dominate as players are pressured to prove their talent via football labor and their femininity via bodily labor to garner resources and opportunities. Discrepancies between representation and lived experience, what are the implications for agency, self-expression, solidarity and collective belonging? How could a look beyond the market-state to the embodied commons offer routes to emancipation and how we can conceive of a shared understanding about other ways to be together.

MICHAEL GABRIEL ° Stubborn and Independent: The Ultras

Posted on by brut Koproduktionshaus Wien

The emotional attachment and cultural expressions of football fans shape professional soccer worldwide. Clubs and the fan culture associated with them are often socio-cultural ambassadors for urban societies, regions, or countries. Since the mid-1990s, the male-dominated Ultras have been the central players of fan culture in Germany, replacing the so-called “Kuttenträger” and the hooligans. Many see them as the largest youth subculture at present. Stubborn and independent, sometimes even resistant, they operate in a highly commercialized environment shaped by massive security interests. What ideas and dynamics drive the Ultras? What is their relationship to profit-oriented clubs and the police? How do they appropriate public space? What role do girls and women play in the male-dominated scenes

LOTTE VAN DEN BERG ° Building Conversation

Posted on by brut Koproduktionshaus Wien

Building Conversation is a dialogical art platform, based in Amsterdam, initiated by Lotte van den Berg and Daan ’t Sas, led together with Peter Aers. In the performative conversations they guide and perform together with participating audiences all over Europe, the theater itself becomes a public space. In over a 1000 performative conversations they explored the boundaries of what theater is and can be. Relating to the theatrical space as a temporary public space; a place in the midst of people, built with our bodies and words, that makes actions and interactions visible and revalues ​​presence. Everybody present joins and together they evoke the fiction, which in this context does not stand for fantasy, the ‘as if’, but rather stands for a heightened reality, an extra focus on what is, ‘the very present present’. Not in the first place concerned with what takes place on stage, but focussed on the way in which we can create stage together.

SATU HERRALA ° Embodying Collective Action

Posted on by brut Koproduktionshaus Wien

Bodies are containers for life, they exist in the present yet carry the past within. Attuning to one’s body and senses is attuning to being in relation with one’s environment and with the myriad of other bodies and life forms that exist in countless shapes and sizes. Bodily knowledge or, “knowing in and through the body”, as philosopher Jaana Parvianen puts it, has been long suppressed in the Western epistemological accounts. What happens when we begin to listen to and with our bodies, when we embody what we know, when we form collective bodies that can act beyond the capacities of individual bodies? How does artistic and curatorial work that attunes to diverse bodies and bodily knowledges contribute to the emergence of transformative agencies and collective action?

XVI: Shifting Power. When Grassroots Movements Win Elections (Athena Athanasiou, Teodor Celakoski, Marcelo Expósito & Florian Malzacher)

Posted on by brut Koproduktionshaus Wien

When activist movements gain momentum, even win elections after many years of struggle and work on the ground, there is a lot of enthusiasm – but also larger-than-life expectations. A diverse electorate with often very different expectations demands immediate and fundamental shifts of politics. The parties once in power just wait for any opportunity to attack. The former establishment uses its long-knit networks to slow down any transition. And former allies accuse the elected representatives of their compromises. So, what does it actually mean to govern, to change structures, work with a large administration, include the political base, and accomplish concrete change?
Inspired by the impressive development of the Croatian movement “Možemo!” with its landslide victory in the Zagreb city elections in May 2021, in this edition of The Art of Assembly cultural worker and activist Teodor Celakoski describes the strategies used to achieve “Možemo!’s” success and talks about the difficulties to implement new policy. Artist, activist and former member of the Spanish parliament Marcelo Expósito gives insides in the struggles, achievements, and failures of Podemos and other citizens’ electoral organizations in Spain. Drawing on the trajectory of SYRIZA after winning the general election in Greece in 2015, philosopher Athena Athanasiou reflects on the general conditions activist movements are confronted with when coming to power.

MARCELO EXPÓSITO ° The (forever postponed) dream of a real democracy

Posted on by brut Koproduktionshaus Wien

The official political discourses persist in glimpsing the way out of the crisis after each new crisis experienced during the… Read more MARCELO EXPÓSITO ° The (forever postponed) dream of a real democracy

TEODOR CELAKOSKI ° Možemo! – Step by step

Posted on by brut Koproduktionshaus Wien

The presentation will demonstrate the trajectory of a progressive political project taking place in Zagreb and Croatia. This trajectory could be condensed into answers to several questions. What preceded the emergence of the political platform?  What are the tactics and strategies that have brought Možemo! to power? What differs activist struggles from politics in power? What are the innovative organizational structures and ecosystem of the political platform? And what are the next steps? 

ATHENA ATHANASIOU ° Shifting the conditions of possibility

Posted on by brut Koproduktionshaus Wien

What do we lose when we win? What do we win when we lose? Such questioning involves the collective work of reimagining and recuperating places and times from where to engage, again and again, in practices of countering institutionalized injustice and of instituting otherwise. Taking place within -and constrained by- “the measure of the possible” (to recall Walter Benjamin), activist movements and left coalitions struggle to make life more bearable in the present for those whose lives have been subjected to class, racial, and gendered powers, while, at the same time, shifting the conditions of possibility posed by the existing present. Enacting possibilities for the future in the present involves reconfiguring the agonistic temporality of living, acting, and thinking with others in the precarious interstices of “no longer” and “not yet.” Such movements and coalitions are never at one nor at ease with the present time. Rather, they take the present as a historically situated field of performative and transformative possibility. Athena Athanasiou discusses ways of situated knowledge production through which worldmaking is envisioned and performed beyond the normalized order of the present as it has been imposed by the current neoliberal and neoconservative forces.