Taking up David Graeber’s theorization of Occupy as a movement not simply for political change but for a different kind of politics, Max Haiven presents these afterlives of Occupy as indicative of our political-economic moment where both power and resistance are reconfiguring themselves.
DIE VIELEN (THE MANY) organise national actions, demonstrations and various events that oppose hatred and promote coexistence with open borders – both internally and externally. Debates within the theatre and art scene are proving contentious. The association acts as an active network and provides platforms for networking.
Assemblies provide a crucial platform for direct decision-making in any attempt to make societies more inclusive and democratic, more just and less hierarchical than those existing today. For a long time now, assemblies have also played a central role in Oliver Ressler’s films and video installations. Together with Dario Azzellini, he produced a cycle of films on factories under workers’ control in Europe. Before that he filmed the Square and Occupy movements in Athens, Madrid and New York. His latest film shows a four-hour assembly in Madrid in October 2019, where delegates from various environmental groups gathered to prepare an act of civil disobedience to foster climate rebellion.
Assemblies are normally held on a scale that allows for direct discussion and participation. However, during the Spanish protest camps of the 15M movement in 2011, massive assemblies defied these notions by blowing up scale, and also challenged the idea of a more or less fixed group that thinks about issues with a certain continuity. These mass assemblies, in turn, emphasized the performativity and the rituality. Julia Ramírez-Blanco addresses the potential and contradictions of those mass assemblies and discusses the evolution of the format toward a more manageable form in the neighborhood assemblies.