DIE VIELEN (THE MANY) organise national actions, demonstrations and various events that oppose hatred and promote coexistence with open borders – both internally and externally. Debates within the theatre and art scene are proving contentious. The association acts as an active network and provides platforms for networking.
Assemblies are normally held on a scale that allows for direct discussion and participation. However, during the Spanish protest camps of the 15M movement in 2011, massive assemblies defied these notions by blowing up scale, and also challenged the idea of a more or less fixed group that thinks about issues with a certain continuity. These mass assemblies, in turn, emphasized the performativity and the rituality. Julia Ramírez-Blanco addresses the potential and contradictions of those mass assemblies and discusses the evolution of the format toward a more manageable form in the neighborhood assemblies. The experience in Spain can be understood as a political laboratory which can help us for the rebellions that come.
To assemble is first and foremost a physical act of being present body next to body. Dana Yahalomi elaborates on the sociopolitical potential and the responsibility of the arts and artists to facilitate arenas where people can rehearse the corporal and behavioral knowledge assembly requires. Starting with the historic Operation Stockholm (1961), she unfolds a chronicle of choreographies from a civic perspective.