epresentation they also organize and influence very concretely how legislative bodies work. The 13th edition of The Art of Assembly looks at how architecture shapes decision-making – and at what alternatives there might be. David Mulder van der Vegt, who has researched the design of the parliament halls of all 193 member states of the United Nations, reflects on the correspondence between their layout and the type of democratic structure they represent; Markus Miessen proposes the concept of “crossbenching” as a practice of independent individuals acting without mandate, and without having to respond to a pre-supposed set of protocols or consensual arrangements.
Tag: David Mulder Van der Vegt
DAVID MULDER VAN DER VEGT ° The Architecture of Assembly
Parliament is the space where politics literally takes shape. Here, collective decisions take form in a specific setting that organizes relationships between political actors through architecture. The architecture of spaces of political congregation is not just an abstract expression of a political culture – it participates in politics. Since 2010, architecture office XML has explored the double-sided relationship between space and politics in a series of projects, ranging from art installations, and research, to an interior for a meeting hall of European government leaders in Brussels. In 2016, the office published the book PARLIAMENT, that documents and compares the plenary halls of the parliaments of all 193 United Nation member states. Looking closer at the settings of these deliberative spaces and exploring their tactile and symbolic meaning, also raises questions about the ability of political spaces to envelop collective-decision-making for the specific challenges of today. Parliaments seem to be merely expressions of the past that anchor the political status quo. What role can architecture play in rethinking our models of collectivity? Can the architecture of parliaments provoke another politics? Comparing settings between East and West, North and South, democratic and authoritarian regimes, allows looking at national assemblies as more than mere ornamental and symbolic representations of national values, taking them seriously as actors in the shaping of future times.