co-design and deploy forms of creative disobedience since 2004. Consensus decision making and assembling is at the heart of this process, which is always entangled with radical movements and yet also has a foot in cultural institutions. Whether it was co-organising the horizontal processes of Climate Camps, transforming theatre stages into meetings to organise disobedience, facilitating the mass talk shops at Occupy London or at the zad of Notre-Dame-des-Landes, coordinating shared life and struggle against an airport and its world – the Labofii has tasted many flavours of assembling. This talk/film explores Labofii’s experience of these different contexts and ask how can artists use assemblies in the art world without becoming extractivist and loosing the powerful potential of reciprocal relationships to activist movements
To assemble is first and foremost a physical act of being present body next to body. Dana Yahalomi elaborates on the sociopolitical potential and the responsibility of the arts and artists to facilitate arenas where people can rehearse the corporal and behavioral knowledge assembly requires. Starting with the historic Operation Stockholm (1961), she unfolds a chronicle of choreographies from a civic perspective.