In 2019 Sibylle Peters devised a project called Animals of Manchester (including humanz) for which she tried to install a zone of interspecies equality in a park. Live artists, animal rights activists, researchers, kids and a number of species present in Manchester worked together to imagine and rehearse an alternative version of the city: How would it look like, if all species – including humanz – had the same rights?
The Schandwache (Vigil of Disgrace) took place in October 2020 at the monument to the former mayor of Vienna Karl Lueger. Lueger is considered one of the most pronounced anti-Semites of the 20th century. His memorial is disputed. The aim of the action was to protect graffiti from removal by the authorities. It that had been placed on the monument by unknown persons in the summer of 2020 to mark it as a “Schande (Disgrace)”. The “Schandwache” took place in cooperation with 16 civil society, cultural and political organisations in the week before the elections in Vienna. Before the opening, two of the “Schande” inscriptions were replicated as gold reliefs and applied to the monument. The installation was destroyed the same day by right-wing extremists. In the course of the following public debate, representatives of the Vienna city government spoke out in favour of a redesign of the monument.
Assemblism describes the visual morphologies that emerge from the practice of “performative assembly “in popular mass movements, as termed by Athena Athanasiou and Judith Butler. But to canalize the energies and imaginaries that emerge in assemblies, durational infrastructures are needed to ensure egalitarian forms of social organization, as Jodi Dean has argued in Crowds and Party. What is the role of art in shaping and propagating new life-forms from the squares into a new emancipatory institutionality? This talk will explore the role of alternative parliaments, utopian training camps, experimental biospheres and collective action lawsuits in furthering assemblist imaginary into egalitarian presents and futures.
The past decade has been marked not only by numerous activist movements and gatherings but also by a wide range of assemblies within the field that tried out and challenged social and political procedures with which societies can be imagined, played, performed, enacted, tested, or even invented.