Nora Sternfeld What is a Radical-Democratic Museum?

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The Art of Assembly
The Art of Assembly
IX: Reassembling Institutions (Ahmed Al-Nawas, Nora Sternfeld, Sarah Waterfeld / Staub zu Glitzer & Florian Malzacher)
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Today, we often hear about a “museum of the future”: as a contact zone, arena, forum and platform – perhaps even as an occupied space. With other words: The museum of the future“: as a contact zone, arena, forum and platform – perhaps even as an occupied space. With other words: The museum of the future would have to be radical democratic. With a view to redefining the museum, and thinking about strategies that are challenging the archive, appropriating museum space, producing alternative knowledge and rethinking education, art educator and curator Nora Sternfeld asks: Can the museum become a space of assembly that allows us to deal with what has happened in the past, to negotiate what this means for the present, and to imagine a future that is more than the mere extension of the present?

Part of Episode IX: “Reassembling Institutions”
With Ahmed Al-Nawas, Nora Sternfeld, Sarah Waterfeld / Staub zu Glitzer & Florian Malzacher

30. October 2021 – BIT Teatergarasjen Bergen / Norway

Biography

Nora Sternfeld is an art educator and curator. She is professor for art education at the HFBK Hamburg. From 2018 to 2020 she was documenta professor at the Kunsthochschule Kassel. From 2012 to 2018 she was Professor of Curating and Mediating Art at Aalto University in Helsinki. In addition, she is co-director of the /ecm – Master Program for Exhibition Theory and Practice at the University of Applied Arts Vienna, in the core team of schnittpunkt. austellungstheorie & praxis, co-founder and part of trafo.K, Office for Art, Education, and Critical Knowledge Production (Vienna) and since 2011 part of freethought, Platform for Research, Education and Production (London). In this context she was also one of the artistic directors of the Bergen Assembly 2016 and is since 2020 BAK Fellow, basis voor actuele kunst (Utrecht). She publishes on contemporary art, educational theory, exhibitions, politics of history and anti-racism.

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